Doing Breeds Doing
Sitting in a cafe with my best mate
A few months ago
Making plans and discussing our current
Life situation,
I was lamenting the quiet patch of work
Over the past 18 months.
And how difficult it’s been to come by
Opportunities that excite me.
I said something like:
“Yeah, work breeds work”.
And he said,
Quite off handedly
Something like:
“Yeah. And doing breeds doing”.
And I was like… fuck.
Doing. Breeds. Doing.
That sounds so much better.
And I immediately got so curious
As to why doing breeds doing
Makes so much more sense.
I read that:
"A study looked at artists
who started at the bottom
and worked their way to successful careers.
The researchers identified one factor
That was consistent across the group:
They performed far more shows
Than the average artist.
The same principle holds true in many fields.
If you want to rise,
You need a lot of shots on goal.
Keep showing up.
Keep making new material.
Eventually, you catch a lucky break."
This from James Clear,
Author of Atomic Habits.
An amazingly useful read
If you want to start
Making small changes in your
Life and career.
But reading this,
Reminded me of that phrase
“Doing breeds doing”.
And then it clicked,
In an instant.
Until two months ago,
I’d always said
Work breeds work.
And in a lot of cases… that’s true.
Work can lead to more work.
But surprise surprise,
As an actor and artist,
There is only so much you can do
To influence the outcome of
Booking a job.
Unless you are the one literally creating the jobs,
There’s way to control how many
Opportunities there are going around.
And besides, in the case of
Work breeds work,
The idea is limited to just…
Work. Or a job.
And focussing on that outcome—
Booking that dream role
That’s going to change your life forever
Is a sure-fire way to end up
Pushing for a result
Focusing on external validation,
Trying to please others
And to be something that you’re not.
And eventually… burnt out.
And for a very long time
I based my value as an actor,
On the job that I was doing.
Or the job I had just done,
Or the job I had coming up next.
And to be honest,
This feeling still creeps up on me.
Still lingers in the back of my mind
During periods of unemployment.
And it’s a really tricky one.
How can I call myself an actor
When I’m not actually acting?
This reminds me of something
A friend said to my partner once,
When she was going through a particularly
Rough time of unemployment.
He asked,
“How’s the acting going”?
She said
“Really hard. I haven’t had a job in years”.
And went on to expressed how she didn’t
Feel like an actor at that time
For the lack of work.
And our friend Matt told her…
You don’t have a job.
You have a career.
But I digress…
In the times of unemployment
During the moments where
I feel like I haven’t got anywhere
To put my energy,
The one way I’ve found to
Alleviate the feelings of worthlessness
Envy or even boredom,
Is to shift my focus from
“Work breeds work”,
(Outside my control)
To
“Doing breeds doing”.
(Within my control)
Let’s break it down…
What is it about an acting job
That remains the most appealing to me?
What am I really chasing when
I want an acting job?
Connection.
Collaborating with other artists.
Connecting with others.
Contributing to something
Greater than myself.
Having somewhere to put my energy
That feels energising.
Giving a piece of myself to my art.
Sharing what I value.
Feeling valuable and valued,
Which of course,
Includes the exchange of value feeling even,
Whether it be financial or otherwise.
Or even in terms of time, effort, input etc.
The list goes on.
When I look at this list…
I realise that outside of acting,
There are loads of areas I can
Put my energy into
That fill me with a sense of self-worth.
I can contribute
To my craft,
My industry,
My community,
And to myself.
By taking a step back,
Looking at what sets me on fire
And taking steps
To give that to the world.
Doing breeds doing
Isn't just about booking a job.
Is about taking action
That leads to more action —
In any capacity
By focusing on what you can control.
It speaks to forming habits.
And getting a roll on.
And the idea —
That once the ball is rolling —
It’s way easier to keep it moving.
But more importantly,
It speaks to skipping
The over-interlectualisation
Of taking action
And simply.
Doing.
Reserving judgment and
Simply starting.
Do and keep doing,
And let the results come to you.
The best part,
In time —
The doing
Becomes easier.
Which also raises the opposite point.
Staying where you are,
Remaining stagnant—
Leads to atrophy,
And eventually… death.
Bleak.
But true.
So while I love comfort and stability
Shifting outside of comfort and leaning into change
Is the prerequisite for growth.
I don’t know about you
But I have always found
The most difficult steps
Of any journey, task or undertaking
The initial ones.
So here’s a little
System For Doing.
1) Make a list.
The top five most energising things
You could be doing right now
For your life or art.
2) Circle the top two highest leverage—
The needle movers.
Activities that would bring the greatest change.
3) Choose one.
Let go of the bullseye —
And throw a dart.
This means
Take action on that activity,
To the best of your ability,
With no expectation of an outcome or result.
This is important.
Forget perfection
Just: To the best of your ability,
In this moment.
What ever that is for you.
When throwing a dart at anything —
Give everything you’ve got
Without expectation that you should succeed..
The expectation isn’t that you’re going
To make waves on your first or even 50th attempt.
But what you are doing
Is building the muscle of doing.
And in doing so,
You build your artistry and craft
Through constantly bettering yourself
And putting out your best, each time.
4) Repeat
Repeat this process.
Follow what sets you on fire —
And continue to do so,
To discover the path of least resistance
And effortless flow in your work.
The point is not to win every attempt you make.
You won’t.
That’s life.
The point is to build the habit of doing.
Rather than waiting.
Rather that ruminating.
Rather than aiming for perfection.
Give yourself permission to fall on your face.
Let go of the bulls eye
And throw the dart.
Yes,
A strike rate is measured by
How many times you hit the target
Vs.
How many throws you take.
But!
How can you hope to find success
Without high output?
And how can you expect to improve
Without a volume of attempts
The principles is simple:
The more darts you throw,
The better at darts you get.
And the easier darts becomes.
And therefore
You throw more darts.
It’s a cycle.
And then obviously…
The more chances you have at hitting
The target.
Pursue what sets you on fire
And allow space for more of the same.
After the initial step is taken,
The first uncomfortable email is sent
Or the slightly nerve-wracking
Expedition back into an acting class
Or brain busting hour staring at a blank page,
Or the phone call that makes you feel sick,
Once the first dart is thrown,
Which perhaps misses the board entirely…
But it makes the throwing of the second, third, fourth, 50th.
Far easier.
The more throws you attempt,
The stronger your throw gets
And the better your aim becomes.
And eventually…
You will land on the board.
I hope at that point,
You’re prepared for whatever comes next.
Have fun out there.
Dx